Playing for Change

One world, one voice, one day

MUSIC RISING by Bruce Mason

• Without fail, the Playing For Change website makes me feel good. Most often it gives me goose bumps, but it’s always (in all ways) a joyful, uplifting experience. There’s no better time to feel this yourself than on September 24 when a global community gathers and unites – through the power of music to affect positive change – on stages, street corners, in schools, yoga studios, cafes and living rooms. More than 300 events in 50 countries are listed at www.playingforchange.com

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Those Nashville Blues – Victor Anthony salutes Canada

MUSIC RISING by Bruce Mason

• The world is awash in opinions on immigration – to say nothing of millions of tragically desperate refugees – and heated debate about citizenship, much of it spilling over from the “Excited States.” One contribution most worthy of attention and repeat listening hails from the deep, musically iconic cradle and melting pot far south of the 48th parallel: Victor Anthony’s new release, Those Nashville Blues.

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Sounds of hope and active community

Leah and Chloe Smith from Rising Appalachia

MUSIC RISING by Bruce Mason

• One of the most interesting, promising quotes I’ve been unable to shake this year is from Leah and Chloe Smith, two 20-something sisters who front Rising Appalachia. “We are building community and tackling social injustice through melody – making the stage reach out with octopus arms to gather a great family.”

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The ultimate musical summer

MUSIC RISING by Bruce Mason

It’s here. Let’s get started; www.bcmusicianmag.com is your link to the 2015 Ultimate Summer Festival Guide. This amazing, free resource connects you to 348 music and arts festivals and events all over BC, with lots in Alberta and Washington and some in Manitoba, Yukon and NWT. You’ll find street fests, art walks, concerts in parks, multi-venue five-day camp-outs, stages in barns, backyards and outdoor amphitheatres. Offerings include un-crowded to jam-packed and slick to impromptu.

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Wendy Atkinson digs deep

TRACKS by Bob Turner

It’s been said that what one considers to be “good” music is music that speaks to one’s set of biases drawn from one’s personal history and relationship with music and aesthetics, all of which shapes a response to – and an evaluation of – a specific work. The world of ‘new’ or ‘experimental’ music can be challenging – not only for composers and musicians, but also for the listener who must work towards actually hearing and not just listening to the music. There is much that tweaks and speaks to my particular set of biases when contemplating this third release by the multifaceted bassist/composer, Wendy Atkinson.

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